[BOOKS] ⚡ The Impossible David Lynch (Film and Culture) ✯ Todd McGowan – Ovirt.info
Does fantasy have an ethical dimension This is the question Todd McGowan explores in The impossible David Lynch, a psychoanalytic study of David Lynch and his film oeuvre In The impossible David Lynch, McGowan challenges his reader to reconsider the ways identification functions in film McGowan writes, The great achievement of his Lynch films lies in their ability to break down the distance between spectator and screen Rather than permitting the imaginary proximity that dominates in mainstream cinema, Lynch s films implicate the spectator in their very structure The structure of a Lynch film alters the cinematic viewing situation itself and deprives the spectator of the underlying sense of remaining at a safe distance from what takes place on the screen 2 Here, McGowan challenges conventional interpretations of film, especially those interpretations that prize an over investment in an incorrect understanding of identification Despite what we might think, the latest Avengers movie, for example, fails to cultivate the sense of identification or proximity a Lynch film does even if it attempts to convince us otherwise According to McGowan, most Hollywood films disavow what a Lynch film avows Conventional cinematic fantasy isn t fantasy at all If anything, it s an ideological supplement that hides the trauma of the symbolic order If you re a fan of David Lynch, then you must read this book in a word it is a stunning piece of erudition and theoretical thinking The best academic book on Lynch yet to published. I ve read parts of this book in another form an article from a film journal and was extremely impressed with the author s interpretation of Mulholland Dr I can t wait to read further into it. preemptive review as of page 100 or so a great exploration of lynch s work from a particular psychological philosophical perspective chief observation desire vs fantasy desire for the impossible and fantasy achieving the impossible interesting reading thus far i ll probably edit this when i ve completed the book.done this was an immensely enjoyable read for me it s not for everyone, that s for sure if you like in depth analysis and don t mind spoilers for the films being dissected this MIGHT be for you there is a stress on the differences and prioritizations of desire and fantasy as to how it structures one s reality it is informed by freud, lacan, hegel, heidegger, kant, and I would recommend that you watch all of david lynch s films prior This is quite a tough journey at times, the author prefers to write in an abstruse academic style that conceals meaning, and this is a great shame because there are some potentially great insights here Even in relation to those most analysed of modern films, Blue Velvet and Mulholland Drive, there was plenty of penetrating and original material.The insistence on a Lacanian psychoanalytic approach straitjackets some of the analyses, unfortunately, it did not lend itself to a deconstruction of Fire walk with me for example, though a fundamental misunderstanding of some plot points might have been equally at fault It is also entirely possible that my own fairly limited grasp of Lacan has hampered my understanding of the material.Definitely a worthwhile read and on a par with Martha Nochimson s The Passion Of David Lynch I would certainly be interested to read an updated version to include Inland Empire as that fits the desire versus fantasy polar This fulfilled the fun critical theory about auteur slot in my reading schedule nicely. . Todd McGowan Launches A Provocative Exploration Of Weirdness And Fantasy In David Lynch S Groundbreaking Oeuvre He Studies Lynch S Talent For Blending The Bizarre And The Normal To Emphasize The Odd Nature Of Normality Itself Hollywood Is Often Criticized For Distorting Reality And Providing Escapist Fantasies, But In Lynch S Movies, Fantasy Becomes A Means Through Which The Viewer Is Encouraged To Build A Revolutionary Relationship With The World.Considering The Filmmaker S Entire Career, McGowan Examines Lynch S Play With Fantasy And Traces The Political, Cultural, And Existential Impact Of His Unique Style Each Chapter Discusses The Idea Of Impossibility In One Of Lynch S Films, Including The Critically Acclaimed Blue Velvet And The Elephant Man The Densely Plotted Lost Highway And Mulholland Drive The Cult Favorite Eraserhead And The Commercially Unsuccessful Dune McGowan Engages With Theorists From The Golden Age Of Film Studies Christian Metz, Laura Mulvey, And Jean Louis Baudry And With The Thought Of Sigmund Freud, Jacques Lacan, And Hegel By Using Lynch S Weirdness As A Point Of Departure, McGowan Adds A New Dimension To The Field Of Auteur Studies And Reveals Lynch To Be The Source Of A New And Radical Conception Of Fantasy.